![]() McCurry’s career is considerably more than this one picture, but such is its fame it provides significant ballast to his reputation and elevates him into photography’s elite. Zach's visual poem to the mysterious Alhambra is a uniquely wonderful bit of filmmaking we are all very proud of.S teve McCurry’s name may not trigger immediate recognition, but his most famous picture certainly will: Afghan Girl, taken in a refugee camp in Pakistan in 1984, a 12-year-old called Sharbat Gula whose startlingly bright eyes took the shot all the way to the cover of National Geographic magazine. What makes this episode very special, is that with Zach, we are not only looking at a very old, very beautiful world through fresh eyes - but that we are looking at it through the eyes of a particularly gifted cinematographer. We always like to be able to look at places through an individual's perspective. ![]() But not too long ago, he met the woman of his dreams and relocated to Granada in Spain, marrying into a Spanish family, learning Spanish, and immersing himself in the daily life of his adopted new home. My veteran cinematographer, EMMY award winning Zach Zamboni grew up in rural Maine and lived, until recently in New York City. It also gave some physical proof of the "walking-backwards-shooting-shitfaced" style Zach mentions in the Pub Night video. It was bizarre, Gonzo, meta, hilarious, awesome. Listening to Zach talk shop over free beer and pizza was sort of a dream come true for me, so cheers to Rule for putting on the event, and, as always, shooting/posting it for everyone else to check out. Just a few days before the Pub Night, an episode of Parts Unknown premiered that featured Zach both behind and in front of the camera, sometimes simultaneously. Zach hits upon everything from the nuts and bolts of shooting (literally), improvising clever solutions for busted gear many miles away from the nearest rental house, not repeating yourself creatively, his appreciation of the smaller Sony F-family members, no re-takes, being shy about shooting people you don't know (and will never see again), his rigs, his crew, and eating a lot of really good food from all over the world. Here's Zach Zamboni on Just Doin' It: The camera is their weapon, and they make their shots count. These are shooters that are too busy shooting - producing great-looking results, no matter the tools at their disposal - to worry about these specs versus those specs or, what they only wish they had instead. I can't help but think of Nike's slogan, "Just Do It." Years ago, before Bourdain's cameramen had the luxuries of greater sensitivity from the likes of the Sony F3, they still had to get the show done. Something that is immediately apparent, in any excerpt of the show, is one of things I like most about it: these DPs simply have to make it happen. This material doesn't necessarily represent how beautiful so much of the Libya episode is, so catch it on-demand if possible: To hear Zach's full thoughts on the technical - and philosophical - aspects of his Emmy-winning shooting, click through.įirst, here's a few quick clips from one of my favorite episodes from the first season of Parts Unknown. In his presentation and the subsequent Q&A, Zach discussed things I've wondered about since the show was still called No Reservations: details of the crew's difficult (sometimes) improvisational shoots on the fly, far from home, with limited resources. Soon after, I was fortunate enough to catch Parts Unknown DP Zach Zamboni speaking at a Rule Boston Camera Pub Night. The first was that Season 1 had picked up two Emmys, one of which was awarded to its documentary-style cinematography. A few weeks ago, I was excited to learn several things involving one of my favorite TV series - Anthony Bourdain: Parts Unknown.
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